Alex Caminiti, Francesca Tulli, Francesco Impellizzeri, Hannu Palosuo, Jairo Valdati, Jorge Romeo, Piero Mottola, Rop, Silvana Chiozza

Nomadic relations of art

Curated by Massimo Scaringella
Nomadic relations of art
Group exhibition exploring the balance between modernity and tradition, uniting global artists in a sensory journey that reflects inner geographies, social tensions, and timeless creativity
30 Jun-15 Sep 2020
Vernissage
Tuesday 30 Jun 2020 17:30-23:00
Kou Gallery
Via della Barchetta, 13 - 00186 Roma
Artists
Alex Caminiti
Alex Caminiti
Francesca Tulli
Francesca Tulli
Francesco Impellizzeri
Francesco Impellizzeri
Hannu Palosuo
Hannu Palosuo
Jairo Valdati
Jairo Valdati
Jorge Romeo
Jorge Romeo
Piero Mottola
Piero Mottola
Rop
Rop
Silvana Chiozza
Silvana Chiozza
Curators
Massimo Scaringella
Massimo Scaringella
360

Kou Gallery begins with this group exhibition a series of events designed to introduce the Roman public—and beyond—to the fascinating world that balances between modern language and tradition, bringing together artists from various continents under the title “Nomadic Relations of Art.”

Between new figuration, experimental languages, and abstraction, the artists share an attentive observation of their evolving societies and a vibrant sense of life that turns the exhibition into a sensory experience. Contemporary art increasingly seeks integration with its surroundings—both environmental and human—placing itself in direct dialogue with its visual context. The visible asserts itself for what it is, not for what it represents, while the artist, through desacralizing or artificial processes, overcomes the dual play between reality and imagination. It reflects the observer’s growing contemplative and participatory engagement, challenging creative spontaneity. Thus emerges a dialogue between physical and inner geographies, social and creative tensions, while assimilating behaviors and cultural traits from territories beyond our own, which we struggle to recognize as ours due to the difficulty of living them in the present moment as decoded experiences. Within the grand framework of a new creative vision, the works gain prominence precisely because they often appear alien to their surroundings, generating an apparent visual conflict that ultimately leads to a temporal synthesis, transporting us beyond time. As Mircea Eliade writes, “The institution of a sacred space where a mythical scene is re-experienced in the present, outside of time, is humanity’s archetypal response to its fear of history, change, and dissolution in multiplicity.” This eternal return to a safe cognitive sphere—both as an exorcism of the pulsing universe and as a refuge from the vertiginous pace of a universal tide—renders that space closer and more recognizable to our ineffable humanity.

This temporal synthesis is the reason why the works chosen for this visual experience were selected to trace an adventurous and surprising cultural journey, in which the juxtaposition of often radically different perspectives reveals the threads of a polyphonic narrative—an echo of the world to come, emerging from the intersection of the most valuable past with the energy of the present.