Flavia Mitolo, Isabella Monari, Nicola Rotiroti, Sergio Ceccotti

Hunica #3

Curated by Massimo Scaringella
Hunica #3
From primordial signs, leisure scenes, environmental critique to ethereal visions, the exhibition layout renews the perception of space and time
19 May-30 Sep 2022
Vernissage
Thursday 19 May 2022 18:00-21:30
H.Unica
Viale Liegi, 54 - 00198 Roma
Works on display
18.92 la mansarde jaune, 2002, Olio su tela, 100x81cm
3.09 la robe orange, 2009, Olio su tela, 100x81cm
9.15 un pomeriggio in casa, 2015, Olio su tela, 100x81cm
Blue beach, 2017, Olio su legno , 120x110cm
Corleone, 2017, Olio su legno , 90x90cm
Germinazione #1, 2021, Marmo Bianco di Carrara, Base Marquina nera , 49x28x25 cm
Ghost Sonata, 2018, Olio e inchiostro su tela, 150x150cm
Ghost Sonata, 2018, Olio e inchiostro su tela, 130x110cm
Luna Park, 2019, Olio e inchiostro su tela, 146x137cm
Senza Titolo #1, 2019, Acrilico su tela, 100x100cm
Senza Titolo #2, 2019, Acrilico su tela, 100x100cm
Senza Titolo #3, 2021, Acrilico su tela, 35x50cm
Artists
Flavia Mitolo
Flavia Mitolo
Isabella Monari
Isabella Monari
Nicola Rotiroti
Nicola Rotiroti
Sergio Ceccotti
Sergio Ceccotti
Curators
Massimo Scaringella
Massimo Scaringella

In this third edition, the design of the “base house” and the arrangement of the works in the different spaces is not random but renews the gaze of those who inhabit the environment.

In the “meeting room,” the wavy signs of Flavia Mitolo flow across the canvases in an intertwining of colors, searching for the primordial nature of the sign and the metalanguage. Sound waves of color in space.

In the “Night” area, the works of Isabella Munari depict convivial and leisure-time scenes as the basis for a clear and sunny painting. Her characters are captured in leisure or sports events where the lightness of the moment’s mood reflects the lightness of vision.

In the “Living” area, Nicola Rotiroti proposes a vision of an illusory and labyrinthine nature, where the observer’s search becomes a denunciation of the damage humans are causing to the environment. The non-colored areas of the canvas represent the before and after of what disappears at the hands of humans.

In the “Relax” area, the unreal yet conscious human presences of Sergio Ceccotti inhabit “noir”-flavored spaces with suspended time, creating a relationship between art and life, regenerating the human cycles that form our daily history. His ethereal visions, where strong light breaks down reality into illusion, allow us to discover the invariability of time.

Gallery