On this fourth occasion, the design of the “base house” and the arrangement of artworks in the various rooms is not random but renews the play of the gaze for those who inhabit the space.
In the “meeting room,” the works of Sonia Viccaro channel an entire worldview based on a return to primitive essences, an ethic of simplicity, and rejection of excess, on a creative conduct that gives intuition first place; on an unconscious development process, surpassing reflective, extrinsic, and fragmentary planning with respect to the central “idea.”

In the entrance, the landscapes of Silvana Chiozza always reflect an ordered rhythm of nature, seeking surprising syntheses both in the structuring of form and in the clarity and cleanliness of brushwork. Where a very high sense of color in itself thickens and elaborates with tireless emotional tension. Yet at the same time, it never feels detached from perceptual truth and the consequent vision of the concrete, so that her approach, sometimes abstract, rather represents a general way of approaching reality.

In the “Living” and “Night” areas, the works of A.T Anghelopoulos lead us into a visual world where the interaction of matter, color, and light in his works redefines different spatial arrangements between openness and closure. Providing a journey in which to recover the physical and metaphysical spaces of the mind, rediscovering self-listening between presence and absence, visible and invisible, they offer the reading of an infinite vision. In his works, where dense and harmonious signs alternate with thick bursts of light, they open a new perspective on the world, allowing one to perceive beyond the boundary between matter and spirit, a rediscovered harmony in relation to one’s being in this time, where following and living every emotional nuance without fear is possible.