Greta Alberta Tirloni, in the 2023 edition of Rome Art Week, is the coordinating head of the "Points of View" of art historians, critics, and art professionals. She carries out scientific coordination and oversees critical activities on artists, institutions, and curators by experts; she researches and selects experts and manages the assessments produced, along with related information, documentation, and databases.
Greta Alberta Tirloni (1983) is an art historian, critic, and curator specializing in contemporary art. She completed her university education—including master's, specialization, and postgraduate programs—at the Universities of Bologna Alma Mater Studiorum, Roma La Sapienza, and Roma Tre. She has experience in curatorship and museology (GNAM), protection and promotion of private and public collections (including the Farnesina Collection), appraisals and valuations, expertise and diagnostics, including for judicial authorities in cases involving De Chirico, De Dominicis, Schifano, Pascali (Prosecutor’s Offices of Rome and Bolzano, Venice Court, CCTPC).

She has published essays in the fields of cultural economics, cultural diplomacy, museology and collecting, art history and criticism on artists and exhibitions, including: Yves Klein, Being in the Infinite. The Vision of Art and the 1970 Retrospective: the Legal Case, monograph, with introduction by Maria Vittoria Marini Clarelli, Edizioni Efesto, Rome, March 2018. Second updated edition, Edizioni Efesto, Rome, June 2019; Unstoppable Latitudes in the Anthropocene Era. Identifications, Reproposals, Interrogations, essay for exhibition, Studio DFB and RIONE PLACIDO (24–28 October 2023), published on www.academia.edu, Rome 2023; LOVE AT FIRST SIGHT. Song of the Surface. Enchantment of Color, essay for the exhibition Vincenzo Scolamiero: Tribute to Wisława Szymborska (Roma Art Night, December 2022), published on www.academia.edu, Rome 2023; A New Sun Every Day. Art Looks at the New Reality: New Approaches and New Visions, essay for exhibition, Pavart Gallery, Rome (8 October – 20 November 2022), published on www.academia.edu, Rome 2022 and on the Pavart Gallery website; Roberta Morzetti: Art Beyond Space and Time. Tradition and Contemporary, in PAX_22, exhibition, Church of Sant’Agostino, Tuscania (15 – 30 July) and Palazzo Alessandrini, Viterbo (16 September – 14 October), on the occasion of the Biennale of Viterbo 2022. Published on www.academia.edu, Rome 2022 and on the Pavart Gallery website; GOLD. Use and Spiritual and Material Value of Gold in the Art of Yves Klein, in E-Zine, Contemporary Art Magazine, August 2022; BLUE. Yves Klein, the Blue of Infinity. The Vision of Art, Law, and Market, in E-Zine, Contemporary Art Magazine, January 2022; Italian Art in the Twenty Years of the Farnesina Collection at the Ministry of Foreign Affairs, in Beyond Borders. The Twenty Years of the Farnesina Collection (1999–2019). The New Acquisitions, De Luca Editore d’Arte, Rome 2019; pp. 19–22; Patrizia Dalla Valle. Contaminations Between Time and Space, Past and Present, Byzantium, Ravenna, and Rome, Circolo MAECI, Rome (4 July – 24 September 2019), published on www.academia.edu, Rome 2019; Richter, Art Economy and Market, paper, published on www.academia.edu, Rome 2018; Castellano. Journey Between Restoration and Painting, Circolo MAECI, Rome (7 November – 10 December 2018), published on www.academia.edu, Rome 2018; Hackatao – The Path of Intellectual Challenge, Circolo MAECI, Rome (12 September – 5 November 2018), published on www.academia.edu, Rome 2018;
Giovanna Rasario. Gentle Abstraction: Energy / Light, Matter / Antimatter, in Visions of Light and Form, Circolo MAECI, Rome (9 March – 10 April 2018), published on www.academia.edu, Rome 2018; Water in Art. Interpretations, Variations, Visions, in exhibition catalogue Paintings on Water. From Benvenuti to de Conciliis (1815–2017), National Archaeological Museum of Mantua (7 April – 25 June 2017), Musa – Museum of Salò and Vittoriale degli Italiani, Gardone (25 July – 1 October 2017), Il Cigno Edizioni, Rome 2017; Mario Padovan. Intellectual Creativity and Artistic Nomadism, on www.mariopadovan.it, (December 2017); on www.academia.eu, Rome November 2018; Greta Alberta Tirloni, Claudio Falcucci, et alii, Non-Destructive and Imaging Investigations, in Sironi Revealed. The Restoration of the Sapienza Mural, exhibition catalogue (Rome, Città Universitaria, MLAC – Museum Laboratory of Contemporary Art; 23 November 2017 – 21 January 2018), curated by Eliana Billi and Laura D'Agostino, Campisano Editore, Rome 2018; pp. 241–245; Italian Art of the 20th Century and Cultural Diplomacy. The Farnesina Collection, in “Economia della Cultura”, Il Mulino, year XXVI, 2016, no. 3; pp. 467–476; Simone Verde. Culture Without Capital. History and Betrayal of an Italian Idea. Review, in “Economia della Cultura”, Il Mulino, year XXIV, 2014 / no. 3–4; pp. 448–450. In progress: Yves Klein. Art Law Market. Monograph, Maretti Editore.

Teaching experience in courses on Cultural Heritage Management and Protection,
Museum Management, Collection Management and Valorization, Exhibition, Show and Event Management, Cultural Economics, Art Market, Art History and Criticism, Contemporary Artists and Movements, Heritage Protection, Art Forgery and Legal Cases, Copyright Law, at Roma La Sapienza and Roma Tre.

She has delivered lectures, keynote speeches, and presentations at meetings, conferences, round tables, and Master courses at: MACRO Rome, MAECI – Circolo, MASTER Sole24Ore Rome, MASTER ROMA TRE.