The artistic path I have followed so far has always been characterized by a deep love and respect for color. In an initial phase, freely experimenting with color allowed me to discover effects that over time became the distinctive signs of a personal artistic grammar. I consider art one of the most important forms to express emotions and communicate, and at the same time a beautiful liberating selfishness. I experience art as an inner explosion of contrasting and fragmented sensations, which I try to gather and codify through images. This vision has always driven me to a relentless search for the new and the different, to study and challenge myself and the observer using different materials and supports. In the first experiments, I overturned the classical use of watercolor through a personal technique based on inserting color and water into shapes obtained by cutting acetate, then adding weights to imprint the color on paper, creating unprecedented effects due to oxygen deprivation. At the same time, I began engraving and cutting the paper instead of using a pencil, adding glue to create reliefs and effects with color, until fully immersing in the material: sand, plaster, cement, bitumen, glue, and enamels became protagonists on various supports. Wood, recycled cardboard, drywall, and expanded polystyrene became the initial canvases on which to let color play mixed with materials. Since art is for me an expressive vehicle connecting my inner world with those who encounter it, it has always evolved and enriched itself.